{"id":37,"date":"2017-01-27T08:26:23","date_gmt":"2017-01-27T08:26:23","guid":{"rendered":"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=37"},"modified":"2022-03-06T08:54:01","modified_gmt":"2022-03-06T08:54:01","slug":"maps-of-god","status":"publish","type":"page","link":"https:\/\/ilanot.haifa.ac.il\/site\/?page_id=37","title":{"rendered":"Maps of God"},"content":{"rendered":"<p><strong>Maps of God &#8211; <a href=\"https:\/\/elijahlab.haifa.ac.il\/\">Digital Humanities Project<\/a><\/strong> &#8211; <a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=47\" target=\"_blank\">Prof. J. H. Chajes<\/a>, Director<\/p>\n<p>A <strong>Volkswagen Foundation<\/strong> supported Digital Humanities German-Israel Partnership in collaboration with <a href=\"https:\/\/www.sub.uni-goettingen.de\/en\/projects-research\/research-development\/\">the\u00a0G\u00f6ttingen State and University Library<\/a><\/p>\n<p><a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=37\" target=\"_blank\"><\/a><a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=47\" target=\"_blank\">Dr. Eliezer Baumgarten<\/a>, <a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=11\" target=\"_blank\">Digital Humanities Project Leader, University of Haifa, Ilanot Project<\/a><\/p>\n<p><a href=\"kbarner@univ.haifa.ac.il\">Keren Barner<\/a> &#8211; Project Liaison, Digital Humanities at the<span>\u00a0<a href=\"http:\/\/lib.haifa.ac.il\/index.php\/en\/media-department\">Younes and Soraya Nazarian Library at the University of Haifa<\/a><\/span><\/p>\n<hr \/>\n<p><strong>Kabbalah has been the dominant expression of Jewish esotericism since the thirteenth century. <\/strong><\/p>\n<p><span>The fundamental esoteric axiom of the kabbalists is that the Divine is revealed as ten networked <\/span><span>sefirot, <\/span><span>luminous emanations that express distinct qualities. The light of God that flows through the structured sefirotic array through its endless pathways generates all of reality. This array, the predominant visualization of which has been in the form of a tree<\/span><span>,<\/span><span> is the kabbalistic map of God.<\/span><\/p>\n<p><span>Because the <\/span><span>sefirot <\/span><span>are thought to generate reality <\/span><span>and<\/span><span> to respond to its vicissitudes, <\/span><span>tikkun<\/span><span>, the enhancement and reparation of the cosmos, requires the intentional intervention of the kabbalist. This fundamental kabbalistic work demands that the contemplative imaginatively engage with the sefirotic tree. <\/span><\/p>\n<p><span>The centrality of this practice gave rise to the emergence of the genre of <\/span><span>Ilanot <\/span><span>(lit., trees) in the 14<\/span><span>th<\/span><span> century. <\/span><span>Ilanot <\/span><span>are defined by kabbalists as parchment sheets upon which arboreal diagrams of the <\/span><span>sefirot <\/span><span>are inscribed<\/span><span>.<\/span><\/p>\n\n\n<p><strong>Despite their centrality to kabbalistic practice and their production by kabbalists throughout the Jewish world for over half a millennium, <\/strong><strong><em>ilanot <\/em><\/strong><strong>were not studied systematically until Prof. J. H. Chajes of the University of Haifa founded <\/strong><strong><em>The Ilanot Project <\/em><\/strong><strong>with the support of the Israel Science Foundation<\/strong>. Basic research requires an assessment of scores of <em>ilan <\/em>scrolls, which present complex integrations of diagrammatic images and texts. Many <em>ilanot <\/em>are over ten meters long and present textual anthologies of 15-30,000 words. Furthermore, as \u201ciconotexts,\u201d the images and texts of <em>ilanot <\/em>are inseparable. Prof. Chajes soon came to two realizations. First, that the metadata generated by the analysis of these artifacts\u2014in particular, the ideas they visualized, the images they used, and the texts they incorporated\u2014would only be useful were they embedded in images of the <em>ilanot<\/em>. Second, that the scrolling of <em>ilanot<\/em>, fundamental to the mimesis of their enactment, would be lost were scientific editions of the <em>ilanot <\/em>published in conventional book form. From these insights, the vision of <em>Maps of God <\/em>was born.<\/p>\n\n\n\n<p><strong>In 2019, the Volkswagen Foundation provided \u201cproof of concept\u201d support for the development of a platform tailor-made for the research and presentation of <\/strong><strong><em>ilanot. <\/em><\/strong><strong>The development is a cooperative venture of <\/strong><strong><em>The Ilanot Project a<\/em><\/strong><strong>nd the G\u00f6ttingen State and University Library (SUB).<\/strong><\/p>\n\n\n\n<p><em>The SUB is one of the leading research infrastructure innovators in the EU, participating in numerous national and international activities in the context of digital humanities, virtual research environments (TextGrid), digital scholarly editions, digital preservation, research data management, and open access<\/em>.<\/p>\n\n\n\n<p><strong><em>Maps of God <\/em><\/strong><strong>maps the world of kabbalistic trees<\/strong><\/p>\n\n\n\n<p>Critical editions of the great <em>ilanot <\/em>are the by-product rather than the goal of the modeling of the cosmology visualized in these artifacts. The technological innovation of <em>Maps of God<\/em> is in its approach to the gathering, networking, and rendering searchable the thoroughly integrated texts and images of <em>ilanot.<\/em><\/p>\n\n\n\n<p>Our work began with the formulation of an ontology that models the world of <em>ilanot <\/em>and the relationships between its parts. In tandem,&nbsp; tools were designed to mark-up of everything than can be seen on an <em>ilan.<\/em><\/p>\n\n\n\n<p><strong><em>Maps of God <\/em>premiered with <em>The Magnificent Parchment<\/em>\u2014the greatest <em>ilan <\/em>produced in Renaissance Italy <em>c<\/em>.1500. <\/strong>Its myriad images and 33,000-word anthology are already on the platform. Clicking on a text brings up its transcription and translation as well as its source and any notes. Clicking on an image reveals its ontological interrelationships. Both texts and images are automatically linked to their parallels in other <em>ilanot<\/em>.<\/p>\n\n\n\n<p><strong><em>please have a very sneak peek at our pre-Alpha work here:<\/em> <\/strong><a href=\"https:\/\/ilanot.org\/\">https:\/\/ilanot.org\/<\/a><\/p>\n\n\n\n<p><strong><em>Maps of God <\/em><\/strong>focused on classical <em>ilanot <\/em>of the 15<sup>th<\/sup>\u201316<sup>th<\/sup> centuries in its first phase. We are now poised to tackle the complexities of early modern Lurianic <em>ilanot<\/em>. These visualize a cosmology exponentially more ramified than their precursors and demand an expanded ontology and more sophisticated tools for data-linking. Second-phase goals include the integration of the full <em>Ilanot Project Database <\/em>into the platform; the use of NLP (Natural Language Processing) for improved search and sourcing of texts; and end-user site development. Introductory videos, guided tours of <em>ilanot<\/em>, and instructional materials will make the site engaging and accessible to researchers and the general public alike.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"768\" height=\"1024\" src=\"http:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2021\/01\/Maps-of-God-Poster-2021-768x1024.jpg\" alt=\"\" class=\"wp-image-759\" srcset=\"https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2021\/01\/Maps-of-God-Poster-2021-768x1024.jpg 768w, https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2021\/01\/Maps-of-God-Poster-2021-225x300.jpg 225w, https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2021\/01\/Maps-of-God-Poster-2021-1152x1536.jpg 1152w, https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2021\/01\/Maps-of-God-Poster-2021.jpg 1440w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Maps of God &#8211; Digital Humanities Project &#8211; Prof. J. H. Chajes, Director A Volkswagen Foundation supported Digital Humanities German-Israel Partnership in collaboration with the\u00a0G\u00f6ttingen State and University Library Dr. Eliezer Baumgarten, Digital Humanities Project Leader, University of Haifa, Ilanot Project Keren Barner &#8211; Project Liaison, Digital Humanities at the\u00a0Younes and Soraya Nazarian Library at &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/ilanot.haifa.ac.il\/site\/?page_id=37\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Maps of God&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/pages\/37"}],"collection":[{"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37"}],"version-history":[{"count":18,"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/pages\/37\/revisions"}],"predecessor-version":[{"id":774,"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/pages\/37\/revisions\/774"}],"wp:attachment":[{"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}