{"id":392,"date":"2017-05-24T04:10:52","date_gmt":"2017-05-24T04:10:52","guid":{"rendered":"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=392"},"modified":"2017-06-03T20:42:42","modified_gmt":"2017-06-03T20:42:42","slug":"course","status":"publish","type":"page","link":"https:\/\/ilanot.haifa.ac.il\/site\/?page_id=392","title":{"rendered":""},"content":{"rendered":"<h1>What\u00a0are\u00a0<strong><em>Ilanot<\/em><\/strong>?<\/h1>\n<p class=\"Quote\">An <em>Ilan<\/em>, a Hebrew word for \u201ctree,\u201d is an arboreal diagram. Kabbalistic <em>Ilanot<\/em> (plural) were often arboreal, but the term was often used generically for any diagrammatic visualization of kabbalistic knowledge, regardless of the\u00a0schemata deployed.<\/p>\n<p class=\"Quote\"><a href=\"http:\/\/ilanot.haifa.ac.il\/site\/\">For more&#8230;.\u00a0<\/a><\/p>\n<h1 class=\"Quote\">Gallery<\/h1>\n<p><img loading=\"lazy\" class=\"size-full wp-image-413 alignleft\" src=\"http:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/05\/Sharei-Ora.jpg\" alt=\"\" width=\"287\" height=\"465\" srcset=\"https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/05\/Sharei-Ora.jpg 287w, https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/05\/Sharei-Ora-185x300.jpg 185w\" sizes=\"(max-width: 287px) 100vw, 287px\" \/><\/p>\n<p><strong><em>Sha\u2018arei Orah<\/em><\/strong><\/p>\n<p>The book <em>Sha\u2018arei Orah<\/em> by R. Joseph Gikatilla (Spain, 13<sup>th<\/sup> century), is one of the foundational works of Kabbalah in the Middle Ages. The book is arranged according to the ten <em>Sefirot<\/em>, and focuses upon the various names of the <em>Sefirot <\/em>and their interrelationships.<\/p>\n<p>The drawing appears on the frontispiece of the first printed edition of the book, which appeared in Latin translation in the sixteenth century. \u00a0The drawing has a number of details that suggest the ways in which it might have been used.<\/p>\n<p><a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/06\/shaarei-orah-frontispiece.jpg\" target=\"_blank\">LINK<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<hr \/>\n<p><!--more--><\/p>\n<p><span><img loading=\"lazy\" class=\"size-full wp-image-412 alignleft\" src=\"http:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/05\/Pelch-ha-Rimon.jpg\" alt=\"\" width=\"287\" height=\"465\" srcset=\"https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/05\/Pelch-ha-Rimon.jpg 287w, https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/05\/Pelch-ha-Rimon-185x300.jpg 185w\" sizes=\"(max-width: 287px) 100vw, 287px\" \/><\/span><\/p>\n<p><strong><em>Ilan \u2018Asis Rimonim<\/em><\/strong><\/p>\n<p>The book <em>\u2018Asis Rimonim<\/em> is an abridgment of the book <em>Pardes Rimmonim<\/em> by the kabbalist R. Moses Cordovero. The former work was written in Italy in the sixteenth century, immediately upon receipt of the latter book by the famous Safedian kabbalist.<\/p>\n<p>The <em>Ilan<\/em> appears in the context of a treatment of the descent of the divine flow into the world. As may be seen, each of the <em>Sefirot<\/em> is divided into ten. Moreover, the <em>Sefirot <\/em>are not stationary, but revolve. These revolving discs were known as <em>volvelles<\/em>, and were often used for the purposes of calculation. In this context, the spinning <em>Sefirot <\/em>allow the student to visualize the nearly infinite permutations of the divine flow as it makes its way through the Tree.<\/p>\n<p>The manuscript, MS NY Columbia X 893 C 81, was copied in 1579, and may be read about <a rel=\"noopener noreferrer\" href=\"https:\/\/blogs.cul.columbia.edu\/jewishstudiesatcul\/2016\/05\/11\/three-brother-manuscripts-identified-paris-london-and-new-york\/\" target=\"_blank\">here<\/a><\/p>\n<p><span><\/span><a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/05\/Columbia-MS-X893-C81.jpg\" target=\"_blank\">LINK<\/a><\/p>\n<p><!--more--><\/p>\n<p><!--more--><\/p>\n<hr \/>\n<p><!--more--><\/p>\n<p><span><img loading=\"lazy\" class=\"size-full wp-image-411 alignleft\" src=\"http:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/05\/Oxford-MS-2429.jpg\" alt=\"\" width=\"287\" height=\"465\" srcset=\"https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/05\/Oxford-MS-2429.jpg 287w, https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/05\/Oxford-MS-2429-185x300.jpg 185w\" sizes=\"(max-width: 287px) 100vw, 287px\" \/><\/span><\/p>\n<p><strong>Oxford &#8211; Bodleian Library MS Hunt. Add. E. &#8211; Oxford MS 2429<\/strong><\/p>\n<p>This <em>Ilan<\/em> was copied on parchment in 1578 by the Christian Hebraist James Hepburn, who signed his work here as \u201cYa\u2019akov Hevron.\u201d<\/p>\n<p>At the center of the parchment we see an <em>Ilan<\/em> surrounded by texts \u2013 the latter being an early fourteenth-century century commentary on the <em>Sefirot <\/em>by R. Reuven Zarfatti.<\/p>\n<p>The <em>Ilan <\/em>is distinctive in its use of colors, as well as for its use of a variety of symbolic and decorative elements, including Temple implements, angels, the Throne of Glory, and more.<\/p>\n<p><a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/06\/Oxford_MS_2429_s.jpg\" target=\"_blank\">LINK<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<p><!--more--><\/p>\n<hr \/>\n<p><!--more--><\/p>\n<p><span><img loading=\"lazy\" class=\"size-full wp-image-428 alignleft\" src=\"http:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/06\/Chuppah.jpg\" alt=\"\" width=\"287\" height=\"465\" srcset=\"https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/06\/Chuppah.jpg 287w, https:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/06\/Chuppah-185x300.jpg 185w\" sizes=\"(max-width: 287px) 100vw, 287px\" \/><\/span><\/p>\n<p><strong>The \u201c<em>Chuppah<\/em>\u201d <em>Ilan<\/em><\/strong><\/p>\n<p>This diagram is distinctive in its being fashioned in the shape of a wedding canopy (chuppah) rather than as a tree. The <em>Sefirah<\/em> of <em>Tiferet<\/em> represents the Groom, and <em>Malkhut<\/em> the bride; the rest of the <em>Sefirot<\/em> represent the various segments of the canopy.<\/p>\n<p>This diagram presents the moment of marriage as the expression of the union of male and female so central to kabbalistic thought.<\/p>\n<p>The drawing appears in an Italian manuscript drafted by R. Mordechai Pieto in the sixteenth century, and is in the collection of the Israel Museum (MS 2964).<\/p>\n<p><a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/wp-content\/uploads\/2017\/06\/000418-Copy.jpg\" target=\"_blank\">LINK<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<hr \/>\n<p>The <a href=\"https:\/\/www.isf.org.il\/#\/\">Israel Science Foundation<\/a>-supported Ilanot Project is\u00a0an ambitious and unprecedented attempt to catalogue and describe all kabbalistic cosmological diagrams and to prepare scientific editions of the greatest exemplars. Its <a href=\"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=11\">database<\/a> and planned \u201c<a href=\"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=37\">Maps of God<\/a>\u201d site are pioneering <a href=\"https:\/\/www.meetup.com\/Digital-Humanities-Israel\/\">digital humanities efforts in Israel<\/a>.\u00a0\u00a0Based at the University of Haifa and working in partnership with the <a href=\"http:\/\/digitool.haifa.ac.il\/R\/YFS2A2AH8VTJBCXIK3KK2T9EEJNVQQHUPINMSP8YFNDMLJHMRD-03271?func=search\">University of Haifa\u2019s\u00a0Younes and Soraya Nazarian Library<\/a>, the Ilanot Project also has a longstanding and fruitful\u00a0cooperation agreement with the <a href=\"http:\/\/web.nli.org.il\/sites\/nli\/hebrew\/pages\/default.aspx\/\">National Library of Israel<\/a>. In recent years, the Ilanot Project has also worked closely with institutions including the <a href=\"https:\/\/www.bl.uk\/hebrew-manuscripts\/articles\/kabbalistic-diagrams-in-the-british-librarys-margoliouth-catalogue\">British Library<\/a>, the <a href=\"https:\/\/blogs.cul.columbia.edu\/jewishstudiesatcul\/2016\/05\/11\/three-brother-manuscripts-identified-paris-london-and-new-york\/\">Columbia University Library<\/a>, the <a href=\"http:\/\/www.bodleian.ox.ac.uk\/\">Bodleian Library at the University of Oxford<\/a>, and the <a href=\"http:\/\/www.jtsa.edu\/library-special-collections\">Library of the Jewish Theological Seminary<\/a> in New York.<\/p>\n<div id=\":dq.ma\" class=\"Mu SP\" data-tooltip=\"April 3, 2017 at 3:41:22 PM UTC+3\">\n<p><span>The Ilanot Project \u2013 <a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=47\" target=\"_blank\">Dr. J. H. Chajes<\/a>, Director<br \/>\n<a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=47\" target=\"_blank\">Dr. Eliezer Baumgarten<\/a>, Research Fellow &amp;\u00a0<a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=11\" target=\"_blank\">Digital Humanities Project Leader<\/a>;\u00a0 <a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=37\" target=\"_blank\">Dr. Menachem Kallus<\/a>; <a rel=\"noopener noreferrer\" href=\"http:\/\/ilanot.haifa.ac.il\/site\/?page_id=47\" target=\"_blank\">Dr. Uri Safrai<\/a><\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>What\u00a0are\u00a0Ilanot? An Ilan, a Hebrew word for \u201ctree,\u201d is an arboreal diagram. Kabbalistic Ilanot (plural) were often arboreal, but the term was often used generically for any diagrammatic visualization of kabbalistic knowledge, regardless of the\u00a0schemata deployed. For more&#8230;.\u00a0 Gallery Sha\u2018arei Orah The book Sha\u2018arei Orah by R. Joseph Gikatilla (Spain, 13th century), is one of &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/ilanot.haifa.ac.il\/site\/?page_id=392\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/pages\/392"}],"collection":[{"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=392"}],"version-history":[{"count":32,"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/pages\/392\/revisions"}],"predecessor-version":[{"id":443,"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=\/wp\/v2\/pages\/392\/revisions\/443"}],"wp:attachment":[{"href":"https:\/\/ilanot.haifa.ac.il\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}